Henri De Toulouse-Lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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Henri De Toulouse-Lautrec Interior in the Rue des Moulins oil painting


Interior in the Rue des Moulins
mk87 c.1894 Oil on canvas 111.5x132.5cm Albi,Musee Toulouse Lautrec
Painting ID::  33995 		Henri De Toulouse-Lautrec
Interior in the Rue des Moulins
mk87 c.1894 Oil on canvas 111.5x132.5cm Albi,Musee Toulouse Lautrec
   
   
     
Henri De Toulouse-Lautrec Absinthe Drinder oil painting


Absinthe Drinder
mk145 1888
Painting ID::  39471 		Henri De Toulouse-Lautrec
Absinthe Drinder
mk145 1888
   
   
     
Henri De Toulouse-Lautrec The Dance oil painting


The Dance
mk156 1890 Oil on canvas 115x150cm
Painting ID::  40813 		Henri De Toulouse-Lautrec
The Dance
mk156 1890 Oil on canvas 115x150cm
   
   
     
Henri De Toulouse-Lautrec Aristide Bruant in his Cabaret oil painting


Aristide Bruant in his Cabaret
mk156 1892 150x100cm
Painting ID::  40821 		Henri De Toulouse-Lautrec
Aristide Bruant in his Cabaret
mk156 1892 150x100cm
   
   
     
Henri De Toulouse-Lautrec Jane Avril in the Paris Garden oil painting


Jane Avril in the Paris Garden
mk156 1893 130x95cm
Painting ID::  40828 		Henri De Toulouse-Lautrec
Jane Avril in the Paris Garden
mk156 1893 130x95cm
   
   
     
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     Henri De Toulouse-Lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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